Intertekstualitas dan Representasi Kebudayaan Indonesia dalam Karakter God Enel pada Manga One Piece Arc Skypiea

Abdul Gafur Maulana Achmad; Ahmad Zulkifli; Muhammad Tafakur

Intertekstualitas dan Representasi Kebudayaan Indonesia dalam Karakter God Enel pada Manga One Piece Arc Skypiea

Published: 2023-01-01 | Vol 1, Issue 2 (2023)

Authors

Abdul Gafur Maulana Achmad

Ahmad Zulkifli

Muhammad Tafakur

Memuat…

Buka di tab baru ↗ Download PDF

Abstract

God Enel merupakan karakter antagonis utama dalam Arc Skypiea pada manga One Piece yang memiliki citra sebagai sosok dewa. Desain karakternya digambarkan memiliki beberapa kesamaan dengan unsur kebudayaan Indonesia di antaranya anatomi telinga panjang yang memiliki kesamaan ciri dengan tradisi Telingaan Aruu dari suku Dayak, motif pada pakaian yang digunakan menunjukkan kesamaan pola dengan motif batik Parang dari Jawa Tengah, hingga penggambaran salah satu panel ekspresi wajah yang memiliki kemiripan dengan ukiran pada Gua Gajah di Bali. Kajian ini bukan sekadar menemukan kesamaan visual antara karakter Enel dengan unsur kebudayaan yang ada di Indonesia, melainkan juga me maparkan relasi dari representasi unsur kebudayaan tersebut dengan sifat dan karakteristik dari karakter ini. Penulisan kajian ini menggunakan metode kualitatif dengan pendekatan analisis konten serta pendekatan intertekstualitas. Temuan dalam kajian ini menunjukkan bahwa unsur kebudayaan Indonesia yang diterapkan dalam karakter tidak hanya menunjukkan kesamaan visual, tetapi juga makna dan sejarah kebudayaan yang direpresentasikan berhasil memperkuat citra Enel sebagai dewa dalam memerankan karakter antagonis. Kata Kunci: intertekstualitas, kebudayaan, manga, One Piece, pepresentasi God Enel is the main antagonist in the Skypiea Arc of the One Piece manga, portrayed as a god. His character design is depicted as having several similarities to elements of Indonesian culture, including his long ears, which share characteristics with the Telingaan Aruu tradition of the Dayak tribe; his clothing motifs are similar to the Parang batik motif from Central Java; and the depiction of one of the facial expression panels bears a resemblance to carvings in the Elephant Cave in Bali. This study not only finds visual similarities between Enel

Keywords

Intertekstualitas; Kebudayaan; Manga; One Piece; Representasi

Memuat isi artikel…

Buka teks lengkap artikel ini

References

Abbott, H. P. (2002). The Cambridge introduction to narrative. Cambridge University Press.
Budi, S., Affanti, T. B., & Mataram, S. (2022). Applied Optical Art in the Parang Motif on Classical Javanese Batik. Proceedings of the 2nd International Conference on Design Industries & Creative Culture.
Clark. (2022). Where Do Gods Live in Greek, Roman, Japanese, and Norse Mythology? ancient-literature.com. Retrieved May 25, 2023, from https://ancient-literature.com/where-do-gods-live/
Dam, J. (2022). Gothic Themes and Monsters in Dark Fantasy Manga: Hajime Isayama’s Attack on Titan and Koyoharu Gotouge’s Demon Slayer. Midwest Journal of Undergraduate Research, (13), 117-139.
Enel | One Piece Wiki | Fandom. (2023, February 10). One Piece Wiki. Retrieved June 3, 2023, from https://onepiece.fandom.com/wiki/Enel
Gunadi, A. (2023). Goa Gajah Temple in Bali - A Must-See Historical Site on Tours to Ubud - Go Guides. Hotels.com Australia. Retrieved May 25, 2023, from https://au.hotels.com/go/indonesia/goa-gajah-temple
Hamzuri. (1989). Batik Klasik. Djambatan.
Indonesia.go.id - Telingaan Aruu, Tradisi Suku Dayak Yang Mulai Ditinggalkan. (2019, August 26). Portal Informasi Indonesia. Retrieved May 24, 2023, from https://indonesia.go.id/kategori/komoditas/949/telingaan-aruu-tradisi-suku-dayak-yang-mulai-ditinggalkan?lang=1
Kushkaki, M. (2013). Unmasking the Villain: A Reconstruction of the Villain Archetype in Popular Culture. San Diego State University.
Margana, S. (2004). Kraton Surakarta dan Yogyakarta, 1769-1874 (Sri Margana, Ed.). Pustaka Pelajar.
McKee, R. (1997). Story: Substance, Structure, Style and The Principles of Screenwriting. HarperCollins.
McLaughlin, B., Dunn, J., Velez, J., & Hunter, J. (2023). There must be a villain: political threats, narrative thought, and political violence. Communication Quarterly, 71(1). 10.1080/01463373.2022.2109978 DOI: 10.1080/01463373.2022.2109978
Mohammed, E. A. (2022). Exploring the Main Similarities Between the Concept of Divinity and Eastern Beliefs among Hinduism, Buddhism and Taoism. Journal of Islamic Thought and Civilization, 12(2), 74−87. https://doi.org/10.32350/jitc.122.06 DOI: 10.32350/jitc.122.06
myanimelist.net. (2010, February 15). One Piece | Manga. MyAnimeList. Retrieved May 26, 2023, from https://myanimelist.net/manga/13/One_Piece
Patterson, J. (2021). Villainy in France (1463-1610): A Transcultural Study of Law and Literature. Oxford University Press.
Pradiptha, A. P. (2018). The Role of The Villain as A Determinant of The Existence of The Main Character. E-Structural, 1(01). 10.33633/es.v1i01.1823 DOI: 10.33633/es.v1i01.1823
Pramartha, I., & Parwati, N. (2023). Situs Goa Gajah Sebagai Sumber Pembelajaran Sejarah Bali: Goa Gajah Site as a Source for Learning Balinese History. Nirwasita: Jurnal Pendidikan Sejarah dan Ilmu Sosial, 4(1), 24-29.
Rowe, W. L. (2007). Philosophy of Religion: An Introduction. Cengage Learning.
Rustopo. (2008). Jawa sejati: otobiografi Go Tik Swan Hardjonagoro. Yayasan Nabil.
Sayyed, R. (2022, August 5). One Piece Manga Sells 500 Million Copies, Setting Guinness World Record. IGN India. Retrieved May 27, 2023, from https://in.ign.com/one-piece-1/174021/news/one-piece-manga-sells-500-million-copies-setting-guinness-world-record
Semelin, J. (2005). What is ‘Genocide’? European Review of History: Revue européenne d
Septiana, U., & Kurniawan, R. (2016). Perubahan Visual Ragam Hias Parang Rusak. Dimensi, 1(1).
Showmya, R., & Sinega, R. (2021). Cultural Representation in Wole Soyinka’s The Lion and The Jewel. Shanlax International Journal of English, 9(4), 41-44.
Skypiea Arc | One Piece Wiki | Fandom. (2023, February 10). One Piece Wiki. Retrieved June 3, 2023, from https://onepiece.fandom.com/wiki/Skypiea_Arc
Sloan, R. J. S. (2015). Virtual Character Design for Games and Interactive Media. Taylor & Francis.
Wulandari, A. (2011). Batik Nusantara: Makna filosofis, Cara Pembuatan, dan Industri Batik. Penerbit ANDI.
Zara, A., & Özdemir, B. (2018). God complex: the effects of narcissistic personality on relational and sexual behavior. Anatolian Journal of Psychiatry, 19(1). 10.5455/apd.263103 DOI: 10.5455/apd.263103

Download PDF

[ref-1] Abbott, H. P. (2002). The Cambridge introduction to narrative. Cambridge University Press.

[ref-2] Budi, S., Affanti, T. B., & Mataram, S. (2022). Applied Optical Art in the Parang Motif on Classical Javanese Batik. Proceedings of the 2nd International Conference on Design Industries & Creative Culture.

[ref-3] Clark. (2022). Where Do Gods Live in Greek, Roman, Japanese, and Norse Mythology? ancient-literature.com. Retrieved May 25, 2023, from https://ancient-literature.com/where-do-gods-live/

[ref-4] Dam, J. (2022). Gothic Themes and Monsters in Dark Fantasy Manga: Hajime Isayama’s Attack on Titan and Koyoharu Gotouge’s Demon Slayer. Midwest Journal of Undergraduate Research, (13), 117-139.

[ref-5] Enel | One Piece Wiki | Fandom. (2023, February 10). One Piece Wiki. Retrieved June 3, 2023, from https://onepiece.fandom.com/wiki/Enel

[ref-6] Gunadi, A. (2023). Goa Gajah Temple in Bali - A Must-See Historical Site on Tours to Ubud - Go Guides. Hotels.com Australia. Retrieved May 25, 2023, from https://au.hotels.com/go/indonesia/goa-gajah-temple

[ref-7] Hamzuri. (1989). Batik Klasik. Djambatan.

[ref-8] Indonesia.go.id - Telingaan Aruu, Tradisi Suku Dayak Yang Mulai Ditinggalkan. (2019, August 26). Portal Informasi Indonesia. Retrieved May 24, 2023, from https://indonesia.go.id/kategori/komoditas/949/telingaan-aruu-tradisi-suku-dayak-yang-mulai-ditinggalkan?lang=1

[ref-9] Kushkaki, M. (2013). Unmasking the Villain: A Reconstruction of the Villain Archetype in Popular Culture. San Diego State University.

[ref-10] Margana, S. (2004). Kraton Surakarta dan Yogyakarta, 1769-1874 (Sri Margana, Ed.). Pustaka Pelajar.

[ref-11] McKee, R. (1997). Story: Substance, Structure, Style and The Principles of Screenwriting. HarperCollins.

[ref-12] McLaughlin, B., Dunn, J., Velez, J., & Hunter, J. (2023). There must be a villain: political threats, narrative thought, and political violence. Communication Quarterly, 71(1). 10.1080/01463373.2022.2109978 DOI: 10.1080/01463373.2022.2109978

[ref-13] Mohammed, E. A. (2022). Exploring the Main Similarities Between the Concept of Divinity and Eastern Beliefs among Hinduism, Buddhism and Taoism. Journal of Islamic Thought and Civilization, 12(2), 74−87. https://doi.org/10.32350/jitc.122.06 DOI: 10.32350/jitc.122.06

[ref-14] myanimelist.net. (2010, February 15). One Piece | Manga. MyAnimeList. Retrieved May 26, 2023, from https://myanimelist.net/manga/13/One_Piece

[ref-15] Patterson, J. (2021). Villainy in France (1463-1610): A Transcultural Study of Law and Literature. Oxford University Press.

[ref-16] Pradiptha, A. P. (2018). The Role of The Villain as A Determinant of The Existence of The Main Character. E-Structural, 1(01). 10.33633/es.v1i01.1823 DOI: 10.33633/es.v1i01.1823

[ref-17] Pramartha, I., & Parwati, N. (2023). Situs Goa Gajah Sebagai Sumber Pembelajaran Sejarah Bali: Goa Gajah Site as a Source for Learning Balinese History. Nirwasita: Jurnal Pendidikan Sejarah dan Ilmu Sosial, 4(1), 24-29.

[ref-18] Rowe, W. L. (2007). Philosophy of Religion: An Introduction. Cengage Learning.

[ref-19] Rustopo. (2008). Jawa sejati: otobiografi Go Tik Swan Hardjonagoro. Yayasan Nabil.

[ref-20] Sayyed, R. (2022, August 5). One Piece Manga Sells 500 Million Copies, Setting Guinness World Record. IGN India. Retrieved May 27, 2023, from https://in.ign.com/one-piece-1/174021/news/one-piece-manga-sells-500-million-copies-setting-guinness-world-record

[ref-21] Semelin, J. (2005). What is ‘Genocide’? European Review of History: Revue européenne d

[ref-22] Septiana, U., & Kurniawan, R. (2016). Perubahan Visual Ragam Hias Parang Rusak. Dimensi, 1(1).

[ref-23] Showmya, R., & Sinega, R. (2021). Cultural Representation in Wole Soyinka’s The Lion and The Jewel. Shanlax International Journal of English, 9(4), 41-44.

[ref-24] Skypiea Arc | One Piece Wiki | Fandom. (2023, February 10). One Piece Wiki. Retrieved June 3, 2023, from https://onepiece.fandom.com/wiki/Skypiea_Arc

[ref-25] Sloan, R. J. S. (2015). Virtual Character Design for Games and Interactive Media. Taylor & Francis.

[ref-26] Wulandari, A. (2011). Batik Nusantara: Makna filosofis, Cara Pembuatan, dan Industri Batik. Penerbit ANDI.

[ref-27] Zara, A., & Özdemir, B. (2018). God complex: the effects of narcissistic personality on relational and sexual behavior. Anatolian Journal of Psychiatry, 19(1). 10.5455/apd.263103 DOI: 10.5455/apd.263103